Rear Window

In Alfred Hitchcocks classic film, Rear Window, Hitchcock clearly displays his minus view of voyeurism. The whole movie deals with Jeffs voyeuristic hobby, getting him involved in a murder of one of his neighbors. But even the showtime frames of the film, before he becomes involved with the murder, deal with symbols exemplifying Hitchcocks electronegative view of voyeurism. In the first scene we see Jeffs habilitate out, a symbol that clearly demonstrates Hitchcocks anti-voyeuristic view. When requireing closely, one could consider Jeff a voyeurist by profession: his whole career is based on trying to let readers take a look at the life of others. We discover that the reason why Jeff wears a dribble is because his leg was broken darn trying to get a good shot on a racetrack for his occupation. The maculation and the cast sum up what the filmmakers opinions are on exultant voyeurism to the extreme. A little later in the film, Stella tells Jeff that, Weve become a race of peeping Toms. What people should do is stand outside their read houses and look in once in a dapple (14). In this line of dialogue, the director uses Stella to express his beliefs about voyeurism. He believes that people have their own problems and should deal with them, rather than aspect in at other peoples troubles. A symbolic birth moment that shows these views is when Jeffs neighbor screams after finding out her chase after has been killed. Jeff (along with the audience) look outside the window to see the dead clink fiction on the walkway. The dog has been killed because it attempts to dig up range of Thorwalds dismembered body. The canine tooth is not minding its own business (it represents Jeffs voyeuristic habits and could be considered a parallel character to Jeff), and is killed. If you want to get a liberal essay, order it on our website: BestEssayCheap.com

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